|
-Hughes
on Return: I'm Really Excited! SID 2/6/01
-You Only Live Twice, SID 3/20/01
-The Role of a Lifetime, SID 5/15/01
-The Mommy Returns, SOD 6/5/01
-The Strongest Link,
SOD 6/12/0
-The
Ultimate Dual Role, SOW 6/19/01
-The
Men in Her Life, SOU 7/3/01
-Flirting
with Danger, SID 10/16/01
Hughes on
Return: "I'm Really Excited!" (SID
2/6/2001)
Finola
Hughes, who this week reports back to the AMC set, has publicly expressed her
enthusiasm for the upcoming story surrounding Alex's return. Infused by the Emmy
winner's eagerness, Soaps in Depth ponders possible abductors of the vanished
lady doc!
The In depth Story: "I am really excited," Hughes teases on her official
Web site. "I think they have come up with an amazing storyline to explain
my absence. I hope [the fans] enjoy it."
Hughes' alter ego was last seen at
AMC's wild November yacht party, where she eerily vanished after being
approached by an unseen man. Since then, Dimitri has received one cryptic call
from his wife, indicating that she is, at the very least, alive.
So, assuming that jilted lover
Edmund and hospital rival David are both red herrings, who whisked Alex away?
One suspect is Charlotte Devane, the
anarchist who separated newborn Alex from twin sister (and future GH heroine)
Anna, raised her, then trained her as an assassin. "There's been
talk," a rep for Samantha Eggar (ex-Charlotte) recently told Soaps In
Depth, "but everything is on hold until AMC decides what they're
doing."
Of course, it's possible that again
it was Anna's GH past which caught up with her look-alike. Might one of the
"late" spy's equally-dead husbands, Duke Lavery or Robert Scorpio,
have mistaken Alex for her twin? Reps for both actors Ian Buchanan (ex-Duke) and
Tristan Rogers (ex-Robert) both say that their clients have not been approached
by AMC.
As for Anna's longtime admirer,
Cesar Faison, the GH villain's portrayer, Anders Hove, could not be reached for
comment. Expect Alex to reappear on AMC in
mid-February.
Inside Info
*During
her maternity leave, Hughes gave birth to Dylan Joseph, her and husband Russell
Young's first child.
*Although
she grew up in England, Hughes is actually of Irish descent.
You Only Live Twice
(SID 3/20/2001)
It's the news millions have
longed to hear: Anna Scorpio- presumed dead nine years ago on General Hospital-
is alive! But if she is going to stay that way, All My Children's Alex will have
to challenge a foe from her twin sister's past! Two breathtaking British brunettes; two equally devastating and unexpected
exits.
On March 27, 1992, GH viewers were dealt tragic news; Secret agent Anna Devane
Lavery Scorpio had perished in a boat explosion off the coast of Venezuela.
Taken with her were her husband, Robert, and Cesar FAison, the duo's arch enemy.
Faison, though, would later turn up alive (first in Loving's Corinth, later on
GH), raising the question: Had the others cheated death as well?
Flash forward to November 17 of last year, to another boat- this time a yacht-
docked in Pine Valley. Alexandra Devane Marick, who in previous months
discovered Anna was her twin sister, was roaming the deck when an unseen figure
approached. She vanished without a trace.
As family and friends who survived Anna to this day still mourn her passing,
Alex's husband Dimitri and her ex-fiance, Edmund, have been left to wonder what
happened to the Devane which they knew and loved. Now, with the opening of
a cabin door deep within the woods of Canada, Dimitri and Edmund- face-to-face,
squared, with both Alex and Anna- have unearthed some answers, yet also have
uncorked a multitude of new questions. Questions which could put all tehir
lives in danger!
Anna Lives! "This Alex/Anna story will give the fans what they have been longing
for," promises AMC's executive producer, Jean Dadario-Burke, whose staff of
writers and producers are working closely with their GH counterparts to
preserve the integrity of this abitious crossover tale. "It will give
[Alex's portrayer] Finola [Hughes] a chance to also play her beloved GH
character, Anna, and it will be a big stretch for the actress to be playing both
parts. That is no easy trick!"
Although Burke is decisively cryptic about the revelations which will unfold
this week (to be sure, ABC's highest powers went to great lengths to keep news
of Anna's return under the tightest security), Soaps in Depth has unearthed some
important details on what viewers can expect.
Brothers & Sisters When Dimitri and Edmund entered the Canadian cabin last week, it was because
they believed they had spotted MIA Alex through a window. But once
inside, they instead were greeted by Devanes, plural!
"[The brothers] are so excited that Alex is alive and well." Burke
declares. "But seeing Anna, as well, is what launches this story in
the direction of even more mystery and intrigue. There are two of them
now!"
As such, the brothers are filled with questions. Ans as this week
progresses, potentially deadly answers come forth...
Where Has Alex Been? "There aren't too many questions why Alex could have gone away," Burke
says when asked to account for the recent whereabouts of Dimitri's wife.
"But the fact is that her sister, Anna is alive is a great reason why she
would leave town without telling anyone. There weren't too many plausible
scenarios available, but this seemed like a really good one."
Emmy-winner Finola Hughes (whose maternity leave prompted Alex's disappearance)
was equally excited by the history-rich twist. "The AMC writers went
through, like, five storylines, trying to figure out how to bring me back,"
she recalls. "Suddenly, one day Jean called and said, 'This is what
we are going to do'- Alex and Anna. I just screamed! I was like,
'She's baaack!'"
Playing a major part in Alex's vanishing is Bart, the mystery man who confronted
her that night on the yacht and may--or may not--have her best interests in
mind. Whatever his agenda, he spun a story (and flashed a photo)
compelling enough to lure his prey away from Pine Valley.
"[Bart's intentions] get explained after Anna's first few
appearances," Burke teases. "I don't want to take away the
surprise."
Okay- What About Anna?
What about Anna indeed. Although details about the "late"
superspy's life since "death" are filed by Burke under Most Top Secret
classification, this much is known...or unknown, as the case may be: "Let's
see," the AMC boss muses, searching for the best, least revealing words.
"Anna has been through a great deal, and has suffered a large memory
loss."
Adds Hughes, who spent six years as GH's Anna: "She is a bit more 'broken'
than we remember her, because of what has happened to her over the last nine
years."
In fact, Anna's state of being may be such that the recruitment of Alex was not
merely to stage some ersatz "family reunion"--after all, Dr. Marick is
a world-class neurologist. "Alex, being a doctor, very much feels the
need to protect her sister," says Hughes. "It's a struggle,
because a lot of 'things' are piled up against the two of them."
An Enemy Among Us While Alex brings Dimitri and Edmund up to speed on the mind-bending situation
involving her and her sister, little do they know that there is a traitor int
heir midst, someone who is on a covert mission to make sure that this time,
Anna- and perhaps everyone else, if need be- is terminated once and for all!
As all the tension builds to a climax, leaving one individual felled, the others
are sprung forth into a new level of endangerment. Think the worst is over
gang? Not by a longshot.
Fearing for their safety, the survivors ponder an escape from their dire
situation. Will a retreat to Pine Valley provide refuge? Or will the
stench of a long-fermenting and vengeance minded evil follow them home?
"There's a tremendous amount of danger out there," Burke warns
viewers, refusing to name nameswhen it comes to the enemy's identity.
"No one is safe. No one."
Rest assured though, this foe from the past is in for a fight- having not one
but two Devanes with which to deal.
"Alex and Anna, they're both fighting back," their portrayer promises.
"Together."
Anna-lyze This Clip-and-save this primer on Anna, ABC
Daytime's most awesome lady operative!
A Look At Her Life:
A World Security Bureau spy, Anna was coerced into being a double agent for the
DVX (aka the bad guys). As penance for her treason (which cost a fellow
operative his life), Anna wore for years a fake scar. Upon arriving in
GH's Port Charles, Anna reunited with her former partner and one-time husband,
Robert Scorpio, to whom she introduced the daughter he never knew they had:
Robin.
Anna played spoiler to Robert's romance with fellow Brit Holly, only to
eventually fall for the dashing Duke Lavery. Alas, Duke's leanings toward
the unlawful came between him and Anna (now police commissioner).
Eventually, they wed, only to be parted by Duke's murder.
Following a brief flirtation with extraterrestrial Casey Rogers (nope, no typo
there), Anna and Robert rediscovered their love. Alas, as they say, it was
"till death do us part."
Marriages: Robert (late 70's); Duke (1987); Robert (1991)
Loved and Lost: After coming back from the dead with a new face, Duke was slain by mobster
Julian Jerome in 1990. Robert was presumed dead in the '92 boat explosion (orchestrated by Faison)
which also seemingly killed his wife.
Family Ties: Alex (the twin sister she never knew); Robin (daughter, now living in Paris);
Mac Scorpio (brother-in-law, Robert's younger sibling, now PC police
commissioner).
Twin Billing: Seeing double? Welcome to Pine
Valley!
Recalling one of her first double-duty AMC scenes, Hughes says, "I had an
eight-page argument involving three people- and I was two of them! I
didn't know what to do, so I went up to David Canary's dressing room, knelt down
outside the door, and sobbed, 'Help me! How can I do this?!'"
During one long talk, Canary offered Hughes some pointers, having himself been
one of several AMCers to travel this forked road.
The BIG Question
Okay, GH buffs, we know what's on your mind: Will Mac and Robin learn that Anna
is alive? Although Soaps in Depth hears rumblings that such family ties
will eventually be addressed via crossovers, AMC's boss reveals no exact whens
or wheres. "They'll have to stay tuned," Burke teases.
The Role
of a Lifetime Portraying twin sisters
doesn't being to rival the thrill Finola Hughes feels when playing mother (by
Matt Webb Mitovich, SID 5/15/2001)
FYI FYI FYIFYI
Born: October 29 in London
Shall we dance? Hughes studied ballet from age 10 to 17
Rewind: To reacquaint herself with Anna, Hughes requested the character's
"greatest hits" from GH's library.
Gimme a double: Of Mollie O'Mara, her stand-in for scenes requiring both Alex and Anna, Hughes says, "She is wonderful. She helps me with my lines and,
because she's also a mother, reminds me to stay calm.
It's not the memory the immediately comes to her, but it's still there.
When prompted, ALL MY CHILDREN's Finola Hughes remembers herself as a little
girl, fantasizing about the future. Specifically, it was a vision of her
and her someday groom, peddling a tandem bicycle with two beaming children along
for the ride.
When Hughes made Russell Young her husband in 1992, the actress began to see her
perfect picture realized. Now, even more so, with her latest addition:
baby boy Dylan Joseph, whom she and Young welcomed into the world last November
9. Hughes, who shortly thereafter would be handed two roles on AMC,
had an entirely new part to play- that of mother.
Close, For Comfort
Although it would stand to reason that the Emmy winner could get caught up in AMC's
sister act, the truth is that her now nearly six-month-old son is never far
away, always tucked cozily in mommy's dressing room. There, Hughes easily
can steal away maternal moments, and drink in long gazes at her boy.
"When I look at him, I can't help but think he looks exactly like
Russell," she shares. "I'm still filled with amazement. It
is pretty awe-inspiring."
To be sure, Dylan responds in kind when he spies his mom on the small screen.
"It's very funny," Hughes notes. "I was on the other day,
and the lady who helps take care of him held in front of the TV. He was like,
'There's Mom!'"
Double (Triple?) Duty
Mom.
It's a term to which Hughes has not grown accustomed, even though her boy is not
yet able to vocalize it. Helping her with the early transition was Dylan's
pediatrician. "He said, 'It's going to take you at least two to three
weeks to get into your double-dimensional role,'" she laughs, "and he wasn't
talking about Alex/Anna!"
"But I'm being easy on myself," she points out. "'I'm still
in the honeymoon stage,' so I haven't panicked completely.
Now, I don't have the luxury of sitting down with my cup on tea; I walk with it."
Amusingly, Dylan in a way has shimmied his way into Hughes' Pine Valley
existence as well. "I'll be studying my lines- apologizing with
Dimitri or Edmund- and on the other hand, I'll be singing 'Old King Cole was a
merry ol' soul...' He's really in charge."
A Perfect 10
If baby Dylan- who's named after Dylan Thomas, his dad's favorite poet, and
shares Hughes' father's middle name- is calling the shots from his crib, all
involved would agree he's doing a bang-up job. Especially, Hughes, says,
since she had "no preparation at all" and is operating purely on
"guesswork, as I think everybody does."
Pressed to evaluate the pure joys- and perils- of motherhood thus far, she
cannot sing its praises loudly enough. "It's a 10," she
declares, smiling from ear to ear. "I'm not sure I'm a 10 at it, but it's definitely a 10. Dylan is absolutely the greatest joy
I have known."
Her Other Roles...Finola Hughes is greater than the sum of her parts
What began as a dance (between the
sheets) with Tony Manero ultimately led to a CHARMED life. Here, Finola
Hughes reflects on past parts she has played.
Staying Alive: "I was the queen of hell, which makes perfect sense," laughs Hughes,
referring to Satan's Alley,
the stage spectacle within the 1983 Saturday
Night Fever sequel.
Jack's Place: "I loved that [1992 series about restaurant co-workers], because of working
with Hal Linden and John Dye- I had a lot of chemistry with those two."
Blossom: Joining the sitcom's cast in 1994, Hughes played step mom to titular star Mayim
Bialik. "She's an extraordinary young woman, with a great mind.
We still send Christmas cards to each other."
Tracey Takes On: Hughes is most fond of her folly on Tracey Ullman's sketch-comedy show.
"That was the most favorite thing I've ever done. It was just a wild
ride. And Tracey is so talented... She's a crazy girl."
Pacific Palisades: "The big thing that came out of that [1997 primetime sudser] was working
with [executive producer] Aaron Spelling. I have great admiration for
him."
Sunset Beach: Appearing
on the soap in 1997, Hughes reunited with Sam Behrens, who had played Jake on
General Hospital. "I love
Sam. He's great!"
Charmed: Despite being the deceased
mom of the series' witchy trio, Hughes has four guest spots under her belt.
"All three of them are very
powerful," she says of her TV kids. "Shannen [Doherty], though,
has got such
a soul."
The Mommy Returns
A Visit from Robin Prompts Total recall for Anna on AMC (Elaine G. Flores, Soap Opera Digest, June 5, 2001)
General Hospital alum Kimberly McCullough comes back to daytime this week for a
much-anticipated reunion with TV mom and real-life pal Finola Hughes (Anna). But
here's the twist: They meet up on AMC.
As GH aficionados know, McCullough's character, Robin Scorpio, who has been
living in Paris, believes that her parents, Anna and Robert, perished in a 1992
boat explosion.
Her trip to Pine Valley is set in motion after an off-screen encounter with
Edmund, amnesiac Anna's new champion. "Edmund went to Paris and saw Robin,
and it piqued Robin's interest," explains Hughes.
"Robin tracks him back," picks up McCullough, who points out,
"I'm sure nobody's brought up her mom in years, and he wants to talk about
her, so she's like 'Why does this guy want to write an article about Anna?'"
On Wednesday, as Anna has a flashback about her little girl, Robin lands on the
doorstep at Wildwind, where her mother's been cloistered while dodging a
mysterious threat to her life. Anna's roused from her thoughts by an
oh-so-familiar-voice.
"She's stroking the picture and trying to conjure up some memory when she
hears the voice in the foyer," previews executive Producer Jean Dadario
Burke. "The memory comes back of the young Robin running into her arms.
That was so effective and I thought, 'Well we can top that.' However, when they
meet at the door, it really does top itself.
"The reunion was everything I'd hoped for and more," continues the
exec. "These two ladies are so wonderful. We did the scenes a few times
because we wanted to make sure we got every single moment, and I went down later
to apologize to them for having to do such emotional stuff over so many times.
They just said, 'No! Thank you, we're thrilled to do it.' We got every tear and
every moment. I think the audience is going to be really pleased. It's very
visual and very moving. I called in one of my producers when we were editing it
because I thought, 'Well maybe we're doing too much with it.' And as we're
watching it, there's no music, none of the finishing touches are on it and
there's this producer sobbing, so I said, 'Oh, I guess it's not too much. It's
just right.'"
After Robin gets over the jolting discovery that Anna's alive, there's much
catching up to be done. The duo touch on the possibility that Robert also
survived, and Anna's in for unnerving news: Her girl is HIV-positive. "Robin
tells her and [Anna] realizes that she wasn't there to help her when she lost
her boyfriend [AIDS victim Stone] and found out that she had the virus. That's a
huge amount of guilt," notes Hughes. "She's desperate to make it up to
her daughter."
There's also a sticky wicket that must be addressed for continuity's sake. In
1995, Robin communed with her parents' ghosts on GH. "If you need someone,
you feel their presence, their spirit. Robin needed her [parents] and sort of
made it up in her heart," offers McCullough.
"It wasn't a ghost," agrees Burke. "She conjured the spirits and
we did discuss it. So, Anna's spirit was there. It could happen."
Though Robin is only on screen for four days, McCullough has made it clear she's
open for more. "Anything is possible now that we know she'd like to come
back," says Burke. "They're just magical together. I can't wait until
the audience and the writers and everybody sees how they work together."
Whether on GH,
AMC, or in real life- Finola Hughes and Kimberly McCullough Share... The
Strongest Link ( Elaine G. Flores, Soap Opera Digest, June 12, 2001)
Finola Hughes and Kimberly McCullough played mother and
daughter Anna and Robin on General Hospital from 1985-92. The pals were
estatic to reunit on-screen during McCullough's All My Children stint,
which ended this week. Or has it?
Kimberly McCullough (squealing): "I'm back! I'm back for three days!"
Digest: "Four days."
Finola Hughes: "Four days, but the first day we didn't work together. Now
she's leaving."
McCullough (little girl's voice): "I'm going away now."
Hughes: "It's not nice. She has to come back."
Digest: "Would you like to come back?"
McCullough: "Yes, Definitely."
Digest: "How did the show approach you?"
McCullough: "They didn't."
Digest: "You called them?"
McCullough: "Yeah. I was just watching the show a lot, watching Fin. And
then they started talking about Robin. I was like "What? They said my name!
What's that all about?" I thought it would be really cool to work together."
Digest: "So, they were thrilled by your call."
McCullough: "Yeah. They were like, "Definitely. We're interested." Then,
they told me they were thinking of doing this story over four days and asked if
I would come. And I said, "Yeah."
Digest (to Hughes): "And you begged them not to do it."
Hughes: "No! I said to them, "I think she'd come," And then she
called. But I want to do a bigger story. I think there's so much...."
McCullough: "I do, too. You could do so much to cover...."
Hughes: "It's just so concentrated."
McCullough: "Yea, and also, even though it's on another show, to us it
seems like it gives our characters and our relationship more...there's sort of
an integrity to that. And so I didn't want to lessen it or cheapen it by making
it short."
Digest: "Does it feel different playing the roles on AMC?"
McCullough: "No, not at all. I mean, it's the same...."
Hughes: "Because we're together. It's like a little nucleus, isn't it? You
just pick it up and take it to another show."
McCullough: "What city are we in?"
Hughes: Pine Valley."
McCullough: "Which is where? Close to New York?"
Hughes: "Pennsylvania. When I first came to Pine Valley, I kept saying,
"Port Charles."
McCullough: "Oh, you did not!"
Hughes: "Here in Port Charles, I mean...."
Digest: "What was the first scene like where you two saw each other?"
Hughes: "It was fine because it was so easy. We didn't have to do any
acting."
McCullough: "I was a little freaked out, like "How am I going to do
this?" Because it's a pretty strange situation, something that I've never
been through in my life, thinking someone was dead and then seeing them alive.
I've never been through anything like that, so I didn't know how it was going to
come out. I was supposed to sort of faint, my knees were supposed to buckle out
of shock or whatever, and I was like "Oh God, I hope I don't look
cheesy." When I did it, it just happened, I really didn't feel my legs."
Hughes: "No. I could hardly hold you up."
McCullough: "It was really weird."
Digest: "How was it acting together again?"
McCullough: "Cool. We've always kept in touch, so it wasn't like we hadn't seen
each other for a long time. But then at the same time, we haven't worked
together."
Hughes: "But it's so easy; you kept saying that the first day."
McCullough: "It's so easy. It's like nothing ever changed. I think we both
have grown as actresses too, since then, so it's even better."
Hughes (to McCullough): "You're fantastic. You are."
McCullough (to Hughes): "Really, in all honesty, you're the kind of actress who
makes others act better. I've worked with a few actors who are like that.
Maurice (Benard, Sonny, GH) is like that, too. If you're giving your all and committing
100 percent to someone, you're a generous actor. You're going to make
the other person be better because they want to give their all. It just makes
everything better. When you get someone who's excited about doing good work,
that's why I'm an actress."
Hughes: "That's why I am too. Just those two minutes or two seconds that
come along every now and again because it's not every day, especially when we're
doing this volume of work. Every now and then you get these amazing moments when
you're lost."
McCullough: "Yes! We did two scenes, remember, where we were like "Did that
happen?"
Hughes: "Did we do that?"
McCullough: "That's when you know it's good."
Hughes: "Right. And also when you're actually thinking the thoughts of the
character. It's fantastic."
McCullough: "But that only happens when both people are on point and both people
are putting their heart into it. Because you can look like you're a good actor
by being very technical and specific and knowing your s---, but there's a
complete difference with putting your heart into it."
Hughes: "Yeah, yeah, totally. You're not distracted by the camera, people
coughing, which we had a lot of today."
McCullough: "I know; we were doing the sobbing and they're like [makes hacking
noises] and chairs rolling across the studio. Shut up!"
Digest: "Did you talk about GH much?"
Hughes: "All I've talked to Kimberly about is Maurice. "Tell me about
Maurice." I love Maurice. I don't know him."
McCullough: "You would work great with him. I remember when you would talk about
[U2 front man] Bono."
Hughes: "I loved Bono."
McCullough: "Bono, Bono, Bono."
Hughes: "Bono, Bono, Bono."
McCullough: "She was going to marry Bono."
Hughes: "He married his childhood sweetheart. Why would he do that?"
McCullough: "Blech!"
Hughes: "She's got to come back.
The
Ultimate Dual Role For Finola Hughes,
playing twins on-screen is nothing compared to
juggling motherhood and a career (by Robert
Schork, SOW 6/19/2001)
Only
in New York can you be treated to three
institutions at once: high tea with Finola
Huhges at The Plaza. Monday afternoons don't get
any better than this.
"Isn't this so civilized?" Hughes
marvels as she takes her seat. It's easy to
understand why she chose the this venue to meet.
As strolling violinists fill the air with
classical music as soothing as the tea and
palatial surroundings, time, for a short while,
stands still. Getting the clock to stop, however
briefly, is a welcome miracle for an actress
playing two lead roles (as Alex and Anna on AMC)-
or actually four, if you count loving wife and new
mom. "I think they're trying to kill
me," she jokes about her employer. "Just
before I came here (to the interview), I was
working on a nine page scene between three people-
and I'm two of them..."
To be sure, Hughes' first role is stretching her
acting muscles- "and my patience," she
says with a laugh. "Because it's very
difficult with a little baby (son Dylan, now 6
months old), trying to put in the hours that I
would like to do. But then I have a lot of people
at work who help me. The directors, and everyone,
have been incredible about this."
Fashionably dressed down in a denim jacket and
shades, Hughes all aglow as a doting mom, presents
Dylan in an adorable and befitting Harley-Davidson
motorcycle jacket. "I'm afraid he is a born
speedster. Unless he's moving, he's not happy. I
can't imagine where he got that from," Hughes
deadpans. "Here in New York, most people
scream at the taxi drivers to slow down. But Dylan
screams at the drivers whenever they stop."
Hughes nestles Dylan into the chair besider her.
"He's got his father's hair, see?" she
says, pulling a knit cap off her son's mostly bald
head with the flair of David Copperfield. Once
settled in, Dylan quickly rivals the scones and
other treats as the sweetest thing at the table.
The waiter has not yet heard the
London-born-and-breed Hughes speak when he
approaches. "Will the two of you be having
our traditional English high tea?" he asks.
Hughes flashes a devilish grin across the table as
she peers over her menu and replies, "I'll be
the judge of how traditional it is,"
in perfect British diction.
Not surprisingly, the tea doesn't disappoint and
neither does Hughes. Showing the multitasking
facility of a more experienced mom, she
effortlessly switches from demonstrating the
proper English way to prepare one's scones, to
feeding Dylan a bottle of his own "tea,"
to sharing a bit about first time, later-in-life
motherhood.
"It's been fantastic. Tiring, but
fantastic," she says. "Russell (Young,
Hughes' artist husband) and I are trying to keep
him with us all the time, and bring him up that
way rather than have too much outside care. I take
him to work with me, so he's with me most of the
time. I'm so enjoying it. I really wanted to be a
mom."
In keeping with the desire for a traditional
upbringing for Dylan, Hughes and Russell opted for
another surprise. "We didn't want to know
ahead of time if it was going to be a boy or girl.
That helped to make it such a great moment,
actually, when he was born."
For Hughes, the biggest surprise of motherhood has
been "how much it changes everything- I mean everything.
People would say that before, and I wouldn't
really understand what they mean. But now I
understand."
Hughes reflects on even the smallest of ways
motherhood has changed her. "I didn't know Itsy
Bitsy Spider before," she says with a
laugh. "And I didn't know how little sleep
you can do nine pages of dialogue on."
Dylan's father hasn't escaped change either.
"Russell has gotten all inspired in his
artwork because of the baby. He's doing great
stuff. He's such a fantastic dad. Russell will
take him everywhere he goes, to all the museums
and exhibits."
From Rembrandts to high teas, Dylan is certainly
getting a head start in becoming a Renaissance
man. Hughes hopes to instill in him a proper mix
of European and American values. "Later on, I
suppose that will come more into play. What I love
is the American confidence and the go-getting
that's taught to the kids here right from an early
age. But we'll bring him up a bit more European,
maybe, in as much as we will take him everywhere
with us. And, I would like to teach him lots of
foreign languages."
When asked to sum up the experience of motherhood
in one word, Hughes softly replies, "Warmth.
Even though on TV, I'm not for warmth, in my real
life I enjoy it. And he's a nice baby, so that
helps."
Hughes' aversion to on-screen affection stems from
her admittedly biggest challenge as an actress.
"The romantic side of the soaps is the
hardest for me. It's not what comes easily to me,
somehow. I don't know why that is, really.,"
Hughes takes a beat. "I think what I find
romantic is different from most others. I like
things that come harder... a romance that is like
the way that Scully is kept apart from Mulder for
so many years," explains the ardent X-Files
fan. "I enjoy that. I like Spencer Tracy and
Katherine Hepburn- that hard kind of romance. I
don't like the giving, be-nice-to-each-other
stuff. I like my romance served up a little
colder- like General Hospital's Duke and Anna.
They were the epitome of a dark, brooding romance.
And they were very cool. There's always a joke on
the set whenever they ask me to be warmer in a
scene: I always say, 'Do you want me to hum him to
warm things up?'"
If Hughes had her way, the warmth she'd be playing
on air is the spy who came in from the cold. An
avid enthusiast of both fictional and real-life
crime and espionage sagas, Hughes would love to
see one or both of her characters embroiled in a
full-blown cloack and dangger tale. "I don't
know if people would enjoy that kind of story
anymore," Hughes continues, "but I think
there's a way to do it that's more investigative
than action. Because we don't go out on locations
anymore and that really made the action so
fabulous."
When asked if Hughes misses the budget-busting
location shoots and action sequences of her past
on GH, she gets a gleam in her eye, as if Anna has
momentarily taken possession of Hughes. "I
miss it terribly. I'm a physical actor, and
if I can incorporate movement and jumping and
throwing myself off a cliff, it's all the more
real- to anybody, not just me."
For now, though, Hughes gets her action fix by
tending to her energetic infant while trying to
learn her lines for the next day. "I just
bounce him on my knee as I read my script. There's
not a whole lot of options. From this exposure, I
wouldn't be surprised if Dylan develops a great
memory capacity himself and becomes a natural
actor. Either that, or when he gets older he's
going to ask me, 'Who the hell is Dimitri?'"
The
Men in Her Life AMC's Anna and Alex have
tangled love lives. But off-screen, Finola Hughes has two great guys (SOU
7/3/01)
She’s
an Emmy-Award-winning actress for her role as Anna Devane on GENERAL HOSPITAL.
Now the beautiful and talented Finola Hughes is making her home on AMC,
where she has not only a new character– Alex Devane– but has also undertaken
the task of dual roles by bringing back her very popular GH character.
Off-screen,
Hughes is enjoying another challenge: motherhood. She and husband,
photographer Russell Young, recently became the proud parents of son, Dylan.
So what’s life like for the English-born actress?
Just Call Her Mom “It’s
what I wanted it to be. It’s fulfilling and great fun; you laugh a lot. They make you laugh,” she says with a
grin. Hughes
admits that being a parent took a little getting used to, but “it’s sort of
panning out now. I can make it work a little better than I was. Dylan
comes to work with me nearly every day,” she continues. “There’s a
lady who watches him so I can work.” Hughes
also credits her husband with being a big help in taking care of her and
Dylan.
“My
husband is an excellent cook, which is very handy. If it were left up to
me, no one would eat in the family,” she says laughing, before adding that
“Russell is great with Dylan. He can’t wait to play soccer with
him.”
Life in Pine Valley Hughes’
AMC character Alex is married to Dimitri Marick (Anthony Addabbo), but
she fell in love with his brother Edmund (John Callahan) when it was believed
that Dimitri had lost his life. This created a sticky situation when the
Count suddenly returned. Then, Hughes took off on maternity leave and Alex
disappeared, complicating the story even more. When Dimitri and Edmund
finally found her, not only was Alex discovered, but twin sister Anna too!
(F.Y.I. Anna was supposedly killed in a boat explosion with Faison years ago
while residing in Port Charles.)
Hughes
admits that initially she didn’t feel comfortable playing both women.
Since then, her self-confidence has improved dramatically.
Playing Dual Roles So
how easy was it to slip back into playing Anna? “I
had to give it an little thought, because it’s one thing to slop back into a
role that you were playing and nothing has changed,” Hughes explains. “But I wanted to take into consideration everything that’s happened to her.
Of course, the good thing is that she doesn’t remember her past or what
happened, but she’s beginning to recall some of the explosion,” Hughes
continues. “I wanted her to be different because these writers
are different writers,” she says of the AMC writing team who are
themselves just becoming accustomed to Anna’s idiosyncrasies. “There
are days when I really feel I’ve got Anna, and there are days when it
doesn’t feel like Anna at all.”
But
Hughes knows what it takes to make Anna believable again. “She needs to
do something, then we’ll see Anna. She needs to get out and when you see
her in action that would be Anna. She was always taking chances… was
always in trouble,” tells Hughes with a chuckle.
Regardless of what Anna has been up to, Hughes’ original AMC figure– Alex
hasn’t seen much action either.
“It’s weird and- in some way– it’s funny. I feel that some of
Alex’s personality has gone on hold at the expense of Anna a little bit, so
that I can make the two characters different,” reasons the actress.
What
would Hughes like to see happen for Anna and Alex? “I’d like to see
Alex more involved in the hospital– doing something. At AMC, they work
the romantic side and your character’s soul, which is kind of fantastic.
I would like Alex to get more involved with David (Vincent Irizarry) in
the hospital, in some kind of research. I think our character work well in
that sort of loathing-each-other way,” she laughs.
Hughes admits that it is difficult to predict the future for her second alter ego.
“Viewers know better,” she offers. “They really have an idea of what
they would like to see that character do. I feel very much that Anna
belongs to the fans; they made her what she is and would probably come up with
the right thing.” One idea, repeatedly recycled among Internet surfers
and daytime insiders, is the resurrection of the malevolent Faison. “You
can’t kill that guy off,” sums up Hughes in a breath. “I’ve always
wanted him to swing through Pine Valley and maybe see her, but she won’t
remember him.” Another possibility is the return of Duke Lavery–
“that would be exciting– Anna’s second departed
husband.”
Words From A Friend Hughes
and former co-star Ian Buchanan, who portrayed Duke on GH, are still the best of
friends and he loves tuning in to catch his gal on AMC. “She’s
wonderful,” compliments Buchanan. He also admits to the suggestion of
repeating his character. “Maybe Ryan (Lavery) could be my son, or at
least my younger brother,” he laughs. “Maybe it will happen
sometime.”
Flirting
with Danger (SID
10/16/01)
It’s the
in-law versus outlaw, as Anna chooses between returning with Mac to her
comfortable Port Charles past or pursuing a perilous Pine Valley future with
David!
This
week on AMC, when recovered amnesiac Anna receives an unexpected visit from her
late husband’s brother– GENERAL HOSPITAL’s Mac Scorpio– she faces a
difficult decision that promises to change the face of both AMC and GH forever!
Anna’s In Attack Mode!
In 1992
when Anna was presumed dead– an apparent casualty of the boat blast that also
killed mate Robert– the Internet barely had been born. Now,
ironically, it’s a product of the Web– a shocking and cryptic E-mail–
which fuels Mac’s journey to Pine Valley, where his alive-and-kicking
sister-in-law resides. But perhaps he should have called first. “I
go to my room at the Valley Inn, where I’m now, living,” Finola Hughes
(Anna) says in character, “and this man is there, so I attack him.”
“Then,” she adds, “I realize it’s Mac!”
Enter GH star John J. York, who was thrilled to partake in the crossover. “Mac
figures, ‘If Anna’s not coming to Port Charles, then I’m going to Pine
Valley, to see her for myself,” he explains. “After all, he thought
that Anna and Robert and [the secret agent duo’s archenemy] Fasion were dead.
Then Faison reared his ugly head, and now Anna’s alive!”
All of which, says York, raises the big question: “What about Robert?”
Mac Searches for the
Truth The
possible survival of Anna’s spouse is a hot topic covered by the reunited
in-laws. “We have a conversation about Scorpio…” teases Hughes.
And it’s a dialogues loaded with questions, says York. “Is Robert
dead? Is Anna sure about it? What exactly happened on that boat?
These details all have been addressed.
“Parts of their encounter are going to be uncomfortable,” York continues. After
all, Mac has reason to be miffed by Anna’s silence about her return to the
living. “He would have been like, ‘I care about you, I love you!
Come get a hug from me!’”
Ultimately, their reunion leads Mac to invite Anna back to Port Charles, where friends like
Felicia, Tony and Bobbie would welcome her home. Anna, though, tosses back
a curveball. “I tell him that I can’t, because I want to stay in Pine
valley,” Hughes reveals. “I say it’s too difficult for me to go back
to where all those memories are. But… he doesn’t buy it.”
Indeed,
Mac’s police commissioner instincts are acute; Anna is concealing a
none-to-small detail about her decision to stay put. “There’s
something that Mac sees in Anna which suggests that she’s not telling him
everything,” says York. “But he respects that, and understands that
she needs to do what she needs to do.”
What Is Anna’s
Mission? Little
does Mac know that the cause of Anna’s piques thirst for derring-do is a man– namely, Dr. David Hayward, with whom she has been enjoying many
“interesting” encounters- including a spontaneous liplock! The
intrigue ante soon will be upped when Anna slips a little something- say, a
homing device- into David’s bag. “Anna is trying to discover things
about David,” Hughes teases. “But we don’t yet know exactly why
she’s doing this.”
Stop to consider David’s unexplained connection to the increasingly suspicious
Roger Smythe, coupled with Anna’s rejected offer to assist federal agent Chris
Stamp in his drug investigation, and at least one theory comes to mind. “But Anna’s now on her own,” says her portrayer, cryptically.
“’Free-lancing,’ perhaps.”
Where There’s Smoke…
Alas, nothing is free when it comes David, and Anna should be prepared to pay, should
the shrewd doc wise up to her agenda– that is, if he has not already. As the two headstrong sorts battle for the upper hand,
count on sparks to ignite. “David is the perfect foil for Anna,” observes Hughes. “He brings out the ‘fight’ in her.”
Vincent Irizarry- whose’s David showed untapped potential with Hughes’ original
AMC character, Alex- also sees an exciting ride ahead. “David and
Anna’s interest in each other,” he explains, “is sparked by them seeing a
similar quality in one another. She is somebody who, at one period in
time, was at the top of her game, a person who committed herself to her work–
and that’s certainly true of David as well.”
Plus, there’s that unique heat which often arises from friendly fire. “David
likes a great challenge,” notes Irizarry, “and Anna is one person with whom
he could be challenged, and challenged equally." “That,”
the actor smiles, “is an aphrodisiac in and of itself.”
A Love Affair Or A Date With
Disaster? So,
what lies ahead doe the sly sleuth and the cunning surgeon? AMC promises a
steamy, adult game of cat and mouse, one filled with hidden motives and illicit
liaisons. After all, Anna– at one time in her illustrious past, a
brilliant double agent– is well-versed in how to play both sides of the
fence. “She knows how to be bad,” points out Hughes, “so it’s
going to be hard for David to one-up her, and vice-versa.”
”She has flirted with this kind of danger before,” the actress adds, “and, a
couple of times she allowed her feelings to get involved. Perhaps that
will happen this time." In
other words, in the weeks and months to come, nothing is certain!
The
Real Anna is Back You
can keep your lights and camera; what Finola Hughes wants is action!
We’ve
said it before, we’ll say it again: Since her resurrection seven months ago,
Anna had been a bit… well, timid. And it was a shame, for this
“broken” braveheart, saddened GH fans who followed her to Pine Valley, and
puzzled the AMC viewers who were just meeting her. Yet things now are
changing. “This [Anna/David story] totally is a turning point,” raves
Anna’s portrayer, Finola Hughes. “I’m so grateful, because it looks
like they’re moving this character around the way she’s supposed to be.
I say things to Mac like, ‘I need action! I need to be aggressive!’
And it’s good to hear Anna saying things like that.” Hughes credits
AMC’s new writing regime for this transformation. “Anna’s
‘fight’ has been nonexistent, but [headwriter] Richard Culliton is really
interested in bringing it back, which I think is absolutely great!”
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